Film/TV

Digital transformation is likely the critical innovation vector for operators. 84 percent of pay-TV executives expect competition for paid-for video services to increase dramatical... More

Apple has been laying the groundwork for its entry into TV services for a while. Now, however, it might recruit one of the UK's largest telecoms to help out. The Daily Telegraph so... More

Kreth: "Today we see labeling happening in a variety of ways, often with proprietary methods that are designed for specific purposes. Moving towards a single standard identifier, w... More

The back-to-school season this year was also the back-to-TV season for department stores. The top brands in the category spent $247.8 million from July 1 to Aug. 31, according to i... More

Amazon’s entertainment ambitions are now being steered by a seasoned Hollywood executive who has brought hit shows such as Glee, Modern Family and This Is Us to the small screen,... More

Convergent Risks has reached its 75th confirmed engagement for studio vendor security assessments since the start of the Trusted Partner Network, “TPN”, program reinforcing the... More

Technicolor creative studios The Mill and MPC are once again honored with multiple Clio Awards for their achievements across creative categories, ranging from Animation and Visual ... More

Los Angeles headquartered SDI Media is the largest media localization company globally and is the highest ranking non-generalist language service provider in the index. According t... More

Avid today announced it has been named the recipient of the prestigious Philo T. Farnsworth Award by the Television Academy. The award will be presented to Avid at the 70th Emmy® ... More

Amazon subsidiary IMDb is expected to announce this week a free, ad-supported video service for Amazon Fire TV users, according to several people with knowledge about the matter. T... More

Encore, a Deluxe company, has added Colorist Andrea Chlebak to its roster of talent, and promoted veteran post producer Genevieve Fontaine to Director of Production. Chlebak brings... More

Despite the massive steps the ad industry has made in figuring out addressable TV just this year, advancement comes not from stunning breakthroughs, but simply from attaching a few... More

Made for just $80,000, The Midnighters looks like it was made for a million, but as polished as the final product is, the journey to it was rife with struggle, and even disaster. T... More

An ongoing test of 4K HDR video has been joined by its audio counterpart. This year, NBC Sports Group’s broadcasts of Notre Dame home games in the next-generation format, which h... More

Technicolor, MPC, and The Mill talent have been nominated for a total of five HPA Awards this year. Technicolor’s Senior Colorist Maxine Gervais exclaims, “it is so exciting to... More

The writing’s on the wall - users are increasingly looking for engaging experiences, and the more personal, the better. A ‘one size fits all’ approach to video is passé. Thi... More

In an expanding set of films, characters are posting, following and tapping as the industry recognises the undeniable importance of the ’gram. Assassination Nation is just the la... More

With "The Other Side of the Wind", Welles set out to create a multi-layered ‘film within a film’ – a roman à clef of sorts – his somber meditation on the perils of Hollywo... More

The partnership will allow Sixty's broadcast customers to merge the components of traditional broadcasting with personalised, interactive clickable graphics technology, within Sixt... More

Anne with an E is the eloquent re-tooling of the Canadian classic “Anne of Green Gables” by Lucy Maud Montgomery. Technicolor Toronto has been providing complete post-productio... More